So, I think it'd be really cool to explore that either in future Quantum Realm stuff or if somehow I got sucked out into the surface world or something, any of that would be fun. But it's also pretty surface level. We had a lot more time to prepare for the character, had a lot more time to delve into the script and the role wasn't just like, you know, here's four pages, learn it by tonight, you know? Catherine George managed the costume department impeccably well, with a slight touch of retro. Ramsay simulates these associative memories, jumping back and forth between the past and the present. May 12, 2021 12:33:39 IST. Kevin was never the apple of his mothers eye, which he realized from early childhood. It was a really short moment, and then yeah, I would have loved to have had some interaction with Janet, but that wasn't even in there. And so is Eva. Kevin is a defiant baby who screams incessantly but never around Franklin. The impressionistic nature of the film does not blurt out the whole truth, and the audience has to make their own journey to construct the meaning. He is pursuing a Licentiate in Sacred Theology at Heythrop College in London. Crypto We see it in the wall of canned tomatoes that play backdrop to Evas anxiety attack in a supermarket, and the Cabernets she drowns her sorrows with. Go do something. Unfortunately, Eva either doesnt know or refuses to know what a more meaningful relationship with her son would look like; thus when their dinner begins with her asking him how school is going, Kevin immediately shuts her down, offering up a clichd mother/son dialogue full of rote questions and deadened responses. David Badash. Plus, she also touches on a potentially big deleted scene that would've seen her cross paths with Krylar (Bill Murray) and teases possible beef with Janet van Dyne (Michelle Pfeiffer). Growing up with a cold mother does not turn one into mass murdered either. See production, box office & company info. The story goes back to the past to recreate the events that led Eva to her present discontent. When Eva gets pregnant for the second time, Kevin feels that he has become estranged from the family and grows jealous. It's so convincing that it has the opposite effect on us, convincing us of her innocence and her son's innate evil - how could someone so pitiful, so sorrowful, so emotionally sensitive be responsible for the development of a totally psychopathic mind? Though Ramsay does away with Eva as a first-person narrator in the film, she still retains Eva's point-of-view throughout. for disturbing violence and behavior, some sexuality and language, Berlinale 2023 Highlights, Part Two: Reality, Manodrome, The Adults, Inside, Golda, Angela Bassett, Jamie Lee Curtis, Brendan Fraser, Cate Blanchett, Colin Farrell and Brendan Gleeson Feted at SBIFF 2023, Revisiting Martin Scorsese's Alice Doesn't Live Here Anymore, Tragically Common: Jamie Dack, Lily McInerny and Jonathan Tucker on Palm Trees and Power Lines. The wife and mother, Eva (Tilda Swinton), has been so overwhelmed by despair that her life exists in her mind all at the same time. It's hard not to see some of Eva's frustration at her changed lifethey leave the city and she is left with most of the child careas manifesting in a kind of resentment of Kevin. She mentions that she believes he'll be released in five years. This turns out to be some sort of annual Italian tomato festival, but the image is disturbing. I got to try some fight choreo, but all in all, yeah, it helped me prepare, I will say I was much more excited to be a good guy instead of a lame, side character, bad guy. Who's there when Kevin gets sick? She created a relationship which encouraged him to act out as horribly as possible to get the most honest reactions from her, because she only ever showed him her real emotions when she was disgusted. The condition causes loss of the ability to understand or express speech. So is Amelia in The Babadook. Though unlike the Shakespearean character, the question of Evas guilt has a lot less cut-and-dried answer. Kevin eats the lychee with a degree of grossness, and when his mother says that he never liked lychee as a fruit, Kevin has to say that it is an acquired taste. The second is Kevin's bedroom. I bring what is actually happening and the severity of what's actually happening to level out, I guess, this part of the movie, because on the other side, you got Kang and Janet are being very, very serious too on that side of things. All the community rules apply here. Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. When he breaks his arm? Kevin abused his mother because she developed a relationship with him where he could have honest interactions with her if he did. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. This review of the film was originally published on December 22, 2011. The story revolves around a family of four, but the main focus is on the relationship between the mother (Eva, played by Tilda Swinton) and the son (Kevin, played by Rock River, Jasper Newell and Ezra Miller). He can't understand her, but don't you suppose he understands her dislike? Despite his crime, she sells the house to pay the legal fees, moves closer to the prison so she can visit him, and continues to support him. Some interpreted scene at the gym as her being repulsed by pregnant bodies, but I am thinking she was like "why can't I be happy and bubbly with this child like they are?" This is also true of Eva, but we see the conflict in her about her son's mental state. It is so ingrained in our culture even a fellow grieving mother slaps her in the parking lot. He's aware of her feelings toward him, and throughout the film, points them out. The woman sits up in alarm and shakes the MAN. We Need to Talk About Kevin: Directed by Lynne Ramsay. Although these two terms are often used interchangeably in colloquial use, there are some mild differences between these two categories of personality disorders. Home | KATY: I kind of saw Jentorra as someone who was already part of a warrior society, so maybe she was used to fighting already, but in kind of a way different level. Privacy Policy. When the teenage Kevin surprisingly assents to a mother/son date, Eva is hopeful for the opportunity to cultivate a deeper relationship. Menu. While we are not sure whether Kevin consumed the eye itself, we know from the book that Kevin keeps Celias glass eye as a souvenir after assailing her. He answers, I used to think I knew why, and now Im not so sure. This small act of hesitant humility is followed by Kevins embrace of his mother which can only be likened to the embrace received by that infamous scriptural progeny upon his arrival home. Kevin gets taught about sex from his mother but he already knows what it is and calls it "fucking". Eva is attempting to play the part of mommy as defined by popular culture; the cooing, gooey, all-encompassing ubiquitousness to her child. to revoke its approval of the two main drugs used for medication abortion in the United States. Movies. Only with her because his father was at work whole day and saw his son for like an hour a day. So, seeing Kathryn, to me, her character Cassie was just someone who didn't understand the reality of the situation. Jake Martin, visit our special Oscars season blog, Movie Minister.. Starring: Tilda Swinton, Ezra Miller, John C. Reilly. Not here. His son is who Franklin says he is, and anything else is just invisible. Most of the film in present time shows the ritual abuse and humiliation the bereft Eva suffers from the community that she continues to live in after Kevin's deeds. Did you work with her individually on creating some of that dynamic since Jentorra is someone that's been in this fight a long time versus Cassie who is just beginning her fight against Kang? For removal of copyrighted images, trademarks, or other issues, Contact Us. Eva and Franklin are a happily married couple till Eva gives birth to Kevin. ROHAN: Jentorra does have a comics counterpart, did you draw on those stories to inform your backstory or did you work with Peyton to create anew backstory for the film? Ramsay establishes a sense of aloofness in Eva with Kevin still in utero. Her husband Franklin (John C. Reilly) dismisses her concerns and uproots their bustling city life for a quiet home in the suburbs. Franklin, on the other hand, does not give him a path to honest interactions. What kind of a kitchen has empty counters? This in turn completely undermines the husband/wife dynamic. Kevin does things to Eva in this movie that are so cruel that an evil demon seems to be regarding her from his eyes. Lionel Shriver's source novel is a quirky, disturbing take on the high school killer story. Anyways I haven't read the book but I guess I probably should lol, Scan this QR code to download the app now. She is the wrong person in the wrong life with the wrong child. For much of the film, she lives with her husband, son and daughter in an expensive suburban home, and when we realize they've lived there for several years, we begin to wonder, how can four people occupy a home for over a decade and not accumulate anything? Or to put it differently, Ramsay more or less stays true to the novel's somewhat callow and, at times, hysterical approach to the rich questions of maternal doubt. It doesn't gel with what has come before, where Eva seems to accept her son's innate cruelty, and is looking for a way to escape. Kevin is a story of hope for a new millennium, an It's a Wonderful Life in the age of school shootings and planes crashing into buildings -- a world-weary world that has been bombarded by nihilistic themes in their narratives for the better part of a century. The most cynical, nihilistic, misanthropic films ever made. He seems to recognize that he has some advantage over her. But when he just sits there frowning, she expresses real disgust towards him. What is the streaming release date of We Need to Talk About Kevin (2011) in Canada? Scan this QR code to download the app now. From the beginning, Eva is detached from motherhood. Kevin overhears his parents talking about a divorce, which adds to his anger towards the world. His final act of brutality a school massacre in addition to murdering his father and sister destroys any semblance of normalcy for Eva. Kevin examines both our darkest moments and those slivers of Grace that sustain us. This terrifying South Korean found footage horror movie directed by Jung Bum-shik follows an internet broadcaster who reunites a team of . Maternal ambivalence turns into filial antagonism, colouring her perception of him as inherently evil. Super-Hero partners Scott Lang (Paul Rudd) and Hope van Dyne (Evangeline Lilly) return to continue their adventures as Ant-Man and the Wasp. We learn that Kevin was a difficult, colicky baby, who grew up to be a difficult, problematic child who seemingly refuses to toilet train, despite a rather surprising vocabulary. Don't comment just to troll/provoke. We see it in her bond with the more amiable Celia. Children seldom get that attention, though. If this were an act of self-penance it might make sense, but there's no real sense Eva is doing it out of guilt either. Eva Khatchadourian, a former travelogue writer, lives in a rundown shack in an American suburb and goes to meet her son. It is a world where any attempts to offer a message of mercy, conversion and redemption must be done deftly and authentically, because at the end of the day, sometimes the community wont rally around you and more often than not Mr. Potter carries the day. Then she goes home. We see it perfectly after he blinds Celia - Eva attempts to confront him about what he's done, and he sits chewing a water chestnut to impress the image of plucking out an eye on Eva, just to watch the horror on her face. The flow-on problem with Kevin's malevolence is it defies credibility that the father can't see any problem with his son (or, that Kevin is clever and manipulative enough to deceive him from an early age). Instead, it's a personal story about a family or more specifically, a mother (an excellent Swinton) and her troubled son. Directed by: Lynne Ramsay. Kevin knows that Celia is his mothers favorite offspring, and he goes to great lengths to make his mother feel uncomfortable. By contrast with Elephant's oddly diffident lyricism, We Need To Talk About Kevin's expressionistic naturalism has a roiling, post-traumatic nonlinearity. "At the end of the day, I have no idea, and that pure, serene, ignorance has become, itself, a funny kind of solace," she writes in a letter to her deceased husband. We Need to Talk About Kevin : r/books. and our KATY: Oh, I'd love to come back. ROHAN: Was there anything major cut that you remember shooting? Overview. And the whole thought was just to fight and keep fighting? Swinton is excellent as Eva, the reluctant mother tormented by her psychopathic son, and director Lynne Ramsay handles the disjointed time structure well, but that's about all I can commend about it. Three days before turning 16, Kevin unleashes chaos in his school. Use the boards for extended discussion. So, I think it'd be really, really cool to see if they came up with something else. So, his dressing sense is perhaps not an indictment of his bitterness. For instance, post-partum depression similar to hers is very common and probably didn't do as much damage as she ascribes to it. Kevin relentlessly cries in the custody of Eva, but Franklin seems to know how to stop him. The colour red is a recurring motif in the film. I felt like I kind of joked with Jeff Loveness on this, but I was like, Did you just watch 300 and write my character? Because it was a lot of like those single line, Get to the tower!, and just kind of like silly one liners and things that felt reminiscent of a lot of those just straight up warrior movies. Was he acting out to punish Eva? There is no pattern. The mistake would be to take the film apart and try to reconnect the pieces in chronological order. Kevin was not necessarily abused or tortured as a child, many kids endure much worse and did not end up as mass killers. Also, stripes are a striking feature that connects Kevins clothing sense from childhood to adolescence. In a film otherwise devoid of hope, these subtle suggestions give the audience a sense of comfort. Is her husband as zoned out as he seems or is that only her perception? So, me, I'm surrounded by comedy, and I have to bring the reality of what's going on. Now, mommy wakes up every morning and wishes she was in France! The film follows the relationship between a mother and son, Eva (Tilda Swinton) and Kevin (played as a teenager by Ezra Miller and as a child by Jasper Newell) through a pastiche of sequences spanning the course of Kevins first eighteen years. We find ourselves inside the mind of a woman whose psychopathic son has driven her over the edge. Kevin is a story of hope for a new millennium, an Its a Wonderful Life in the age of school shootings and planes crashing into buildings a world-weary world that has been bombarded by nihilistic themes in their narratives for the better part of a century. Because children are normally associated with innocence, creepy children are a tried concept in horror films. Years later, the birth of her daughter Celia, on the other hand, feels more festive. KATY: Yeah, I mean, this obviously had the difference between TV and movie. Directed by Peyton Reed and produced by Kevin Feige, p.g.a. It is good to be more sensitive to the plights of children in general. Eva takes incessant trips down memory lane to cope with her past loss. Will, get up. Prosecutors downgrade charges in Alec Baldwin shooting case, Die Hard star Bruce Willis has frontotemporal dementia, condition worsens, As We Need to Talk about Kevin turns 10, a look at what made it such a haunting meditation on motherhood. KATY: Yeah, I mean, a lot of it would be drawn from movies, essentially. Not that she has a ton of options she struggles to find work and be accepted by those around her. The murder spree began with his father and sister suffering the same fate earlier that day. Outward appearances of mother and son match their steely interiority as neither suffers fools gladly and both abhor artifice and sentimentality. I mean, there's no room for the leader of the rebellion to give up. What is lupus, an autoimmune disease diagnosed in Selena Gomez causing her weight gain? By provoking her, Kevin is able to get some precious emotional honesty out of her. All of the performances are secondary to an urgently compelling narrative that is both agonizing to witness and impossible to look away from. Rated R Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. This review of the film was originally published on December 22, 2011. He was exactly right. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. Kevin, it seems, has a method to his madness. As a portrait of a deteriorating state of mind, "We Need to Talk About Kevin" is a masterful film. Hes a friendly and vibrant young priest and a gifted preacher. Twice in flashbacks to Kevin's parents in their dating days, a UPS terminal with trucks can be seen in the near background. Following the release of Ant-Man and the Wasp: Quantumania, we caught up with actress Katy O'Brian to talk about her MCU debut as Jentorra, deleted scenes with Bill Murray, and a whole lot more! When Kevin paints Evas room with color splashes, Eva thinks that Kevin wanted to ruin the room, but maybe he really wanted to make it more special. These people live there, but they've never moved in. It asks, "who is to blame when something horrific happens?". Swinton told me of a line in the script that wasn't used, wisely, I believe. KatyO'Brian (Agents of S.H.I.E.L.D. The real horror in We Need to Talk About Kevin is society's dogmatic conception of motherhood,and the pressure to live up to it. Rated the #74 best film of 2011, and #5264 in the greatest all-time movies (according to RYM users). The kind of clothes one chooses is also indicative of ones social status. Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. A young MAN and WOMAN are asleep in a tent. American release: January 27, 2012. Genres: Psychological Drama, Family Drama. Kevin does not play ball, and he becomes increasingly manipulative. We Need to Talk About Kevin 2011 | Maturity rating: 15 | 1h 52m | Independent Films When her 15-year-old son's cruel streak erupts into violence, his mother wonders how much blame she deserves for his actions. From here he becomes a sociopathic teen with a rather keen interest in archery. The real horror in the movie is society's dogmatic conception of motherhood, and the pressure to live up to it. The sound of him savouring the juicy fruit a fruit he doesn't even like in deliberate crunches of sinister delight becomes unsettling when paired with the thought of Celia's lost eye. Trademark | Three days before his 16th birthday, Kevin Khatchadourian (Ezra Miller) kills several students, a teacher and a cafeteria worker in his high school gymnasium. Mimicking the cyclical nature of trauma, the shot repeats in the climax, where Eva discovers the slain bodies of her husband and daughter. While she's on the run when we meet her, it's the arrival of Scott (Paul Rudd) and Cassie Lang (Kathryn Newton) that brings her right back into the thick of the action. On one prison visit, he describes her throwing him at a wall and breaking his arm as "the most honest thing you ever did.". We also did a lot of blue screen work before, which really helps with the imagination. His attitude towards his son is warmer, but underneath there's no more depth than there is with Eva. Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. I'd be happy to see what they come up with, but, they have more of the understanding of the wildness of the world that they're building. They never talk about Kevin. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, We Need to Talk About Kevin is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewers mind. Thats the underlying message of We Need to Talk about Kevin, Lynne Ramseys remarkable allegory on the transcendent nature of relationships. Eva rushes to the school to see Kevin getting arrested. Sometimes Zuzu's petals are all you have to hold onto. The comedy had to come elsewhere there. Her public perception is unlikely to change, but Eva appears firm in her choice to stick around for Kevin's sake. At one point, she mockingly coos at him, "Mommy was happy before little Kevin came along. It is an epistolary novel, comprising the letters that Eva Khatchadourian writes to her husband Franklin in the aftermath of their son's crime. How difficult was it to play the straight woman when everyone around you gets to be fairly silly in the early scenes? He proves it when he poops himself twice in a row and she breaks his arm in a fit of rage, what he calls, "The most honest thing you ever did to me." Ramsay improves on Shriver's portrait of a mother with an honesty that leaves us thinking about Eva long after the credits roll. Ironically he becomes a miniature doppelganger of her, all sharp angles and androgynous countenance lying in direct contrast to the lovably rounded and craggy features of his father. Reilly is typically wonderful in a thankless role, while both juvenile actors evince a low-grade rage that never moves into complete disconnection or full-blown psychosis. About 5 uses of "fuck" (once used sexually by a 7-year-old child), one use of "cunt". This model of motherhood so deeply rooted as it is in the biological doesnt leave much room for aberration, such that any rejection by the child becomes an indictment of the mothers entire existence. As Kevin develops, he refuses to be potty-trained, mocks Eva and rejects her attempts at physical affection. Jokes are fine, but don't post tactless/inappropriate ones. A prolific writer and the ostensible head of a travel agency, Eva cares more about her own unfulfilled wishes than her ever-menacing son. For example, sociopaths are more erratic, and they dont make drastic decisions such as Kevins. So we must find our Grace in the minuscule, and it is in these brief moments of consolation, these shafts of light under the door, that Kevin provides the deft sucker punch to the, by now, standard narrative benchmarks of despair, emptiness and futility which permeate contemporary film. We see Kevin as a troubled kid who may need greater care. I have the feeling that this film, by entering Eva's mind, sees only what has been battering her down for 16 years. If you look one level deeper it's clear that Kevin was deeply and horribly emotionally abused by both of his parents, and in a genuinely loving family he would not have turned out the way he did. Does she ever. Being a mother somehow means they're inherently guilty. With Franklin there is no conflict. Eva's elation is reflected in the room's warm yellows and flowers on the bedside table. We gather she didn't want to get pregnant, isn't sure why she's married, is a mother who tries to mask hostility with superficial kindness. This comes to a head when Kevin has learned that pooping his pants is the quickest way to his mother's heart, and the time she shows him the most attention - but that attention is always disgust. Copyright 2023. Eva finally asks why he did it. When his father is around, Kevin behaves like a charming and enthusiastic kid. This cycle is beautifully written and acted by Swinton, so much that you can't help but empathize with her despite her own assurances that every drop of blood her son ever spilt is on her hands, an image weaved throughout the movie. The real horror in the movie is society's dogmatic conception of motherhood, and the pressure to live up to it. When we see an overdressed Eva beside Kevin, the distinction between the two becomes clear as daylight. Eva gets pregnant for a second time and gives birth to a little daughter Celia. We Need to Talk About Kevin is already playing in NYC; it opens today in LA, Chicago, Houston and Phoenix and is rolling out nationwide. His reply: "You don't want to kill your audience.". We Need to Talk about Kevin in fact needs to be talked about, as what it is attempting to do by marrying the darkest, most nihilistic components of contemporary cinema with a redemptive message is groundbreaking. Don't get in arguments with people here, or start long discussions. Franklin does not and cannot understand Kevin, and completely resists any opportunity to do so. A suspenseful and gripping psychological thriller, WE NEED TO TALK ABOUT KEVIN explores the relationship between a mother and her evil son. However, she created a pattern whereby she only expresses herself to Kevin through disgust and fear. The kid was screaming nonstop from the go, as infant. With his shaggy hair buzzed off and scars covering his pale face, Kevin avoids her eyes and replies, "I used to think I knew. We Need to Talk About Kevin is a 2003 novel by Lionel Shriver. So, I think TV being as fast paced as it is, and as kind of chaotic as it can be, it doesn't always set you up for being able to walk into a film where you've had plenty of time to look into everything and prepare. Ramsay regularly cuts to a scene where Eva is driving her car past flashing police lights toward the scene of some tragedy. Instead, maternal ambivalence is coded as horror. Kevin grows up, and the family moves to an affluent neighborhood in their very own castle. The shelves and tabletops are as barren as those in a display home. Little Kevin cries relentlessly, and Eva often uses cruel methods to shut him up. Kevin's antics swell into violence during his teenage years, further driving a wedge between his parents and mutilating his little sister Celia (Ashley Gerasimovich) along the way. Because Kevin is infallible to Franklin, he's also incapable of needing help, and as a result Franklin seems to have no respect to any sort of danger to his son, even giving a disturbed young man a lethal weapon just for fun on his fifteenth birthday - something that could even be considered an act in direct defiance of the reality of his son's deteriorating mental state, or even a dare. When he just sits there frowning, she mockingly coos at him, and he goes meet... It to play the straight woman when everyone around you gets to potty-trained... 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