Students will gain an appreciation of the work of Shark Island Productions and the power of archival documentary to communicate public messages of importance. Save and share your favourite picks and make plans to go out with friends. This requires planning among multiple teachers and across specialist streams. 0000004542 00000 n on Mornings with Stephen Ferris was honoured to host Yvonne Sampson of Fox Sports League, and Ian Darling the director of The Final Quarter, a documentary chronicling of the last years of AFL star Adam Goodes' career.. (2019). It is essential that teachers watch The Final Quarter documentary in full before showing it to students. THE FINAL QUARTER | Film - Official website TRAILER PAUL KELLY MUSIC VIDEO Education Resources FOR SCHOOLS AND SPORTING CLUBS All Resources Watch now Request Free DVD Screening Guide Adam Goodes was a champion AFL footballer and Indigenous leader. Narragunnawali: Reconciliation in Education (Reconciliation Australia). Documentary Australia acknowledges the Australian Aboriginal and Torres Strait Islander peoples of this nation. The film 'The Final Quarter' looks at the final years of Adam Goodes' AFL career and the storm that followed. Students will learn what an archival documentary is and examine archival documentary filmmaking conventions, particularly in relation to the film 'The Final Quarter'. Adam Goodes was a champion AFL footballer and Indigenous leader. Darling presents a self-consciously larrikin culture in which the right to provoke is sacrosanct, and perceived pomposity is eagerly sniffed out. Tracy Bentin,Psychologist,MAPS; Grad Dip Applied Child Psych; BBSc (Hons). [5], On 24 May 2013, during the AFL's annual Indigenous Round (the Sir Doug Nicholls Round), a 13-year-old Collingwood supporter called Goodes an "ape". This sets the scene for exploration of one of the films key messages: that words matter, and they ought to be used responsibly. Our Watching the Film lessons are designed to support you in facilitating this process. [20], Many commentators and Goodes himself believed that the booing was racially motivated, while others believed that it was motivated by dislike of his playing style or of his response to a 13 year old girl who shouted a racially-charged insult at him. So, too, do the boos every time the player steps foot on the paddock, for more than sixteen weeks. Below are some of the must-know techniques that are included in the glossaries of Matrix English Theory Books. In this lesson students will learn about archival documentary filmmaking conventions and apply their analytical skills to scenes from The Final Quarter. In the final three years of his playing career he became a lightning rod for a heated public debate and widespread media commentary that divided the nation. A supercharged current courses through it, Darling having created less a documentary than a kind of electric cine-essay, pulsing with energy and urgency. Goodess role in attempting to make Australia a more educated and tolerant country will be remembered long after all the marks, kicks, and tackles have been forgotten. "When you see the three years unfolding, we can now see this is what racism looks like and what it sounds like," says director Ian Darling. In developing the lessons it was critical that we had the input of a psychologist and expert groups to ensure these lessons promote emotional safety and cultural awareness. Given the content, it is also important for teachers to communicate with parents and guardians of Aboriginal and Torres Strait Islander students before playing the film and/or engaging with the teaching and learning resources. Oz musicians Paul Kelly and Dan Sultan provide an original ballad for the films bleak coda, which brings the saga very much into the present tense. We want all Australians to feel they belong and that they have a stake in the game. And so it is also a film about the purpose and value of legacies. If it was hard to mount that fingers-in-the-ears argument back then, it seems almost impossible now though the peanut gallery of outspoken conservative commentators, who haunt this film like ranting apparitions (among them Andrew Bolt and Alan Jones), are hardly likely to show contrition any time soon. 0000069818 00000 n Where to start: Watching the Film Years 5 to 12, Exposing Truth. Includes investments, loans and grants. 0000003986 00000 n Tracy enjoys supporting the educational, social, emotional, and mental health needs of young people and their families. 0000042530 00000 n 0000003887 00000 n It begins in 2013 when Goodes, at that point a veteran of the game, singled out an opposing teams supporter for calling him an ape during a match. 52 Victoria StreetPaddington, Sydney NSW 2021, Allens Linklaters and their invaluable pro bono legal support, This website was created with the support of. Investigates our individual and collective responsibility toaddress racism in the community, workplace and school. Adam Goodes was Australian of the year in 2014. It was produced by Shark Island Concrete Playground acknowledges the Traditional Owners of the lands where we live, work and play, and across the lands we travel through. Documentarian Ian Darling, director of The Final Quarter. The methodology of The Final Quarter and other aforementioned films of its ilk can have a distancing effect - many of the traditional powers of the motion picture medium (cinematography, for. See a snapshot of media articles here: Additional assets have had high engagement including 944 Screening Guide downloads. Project-specific support provided by Screen Australia's production investment programs since the agency's inception in July 2008. One thing the film used was Mise en scene. To view more detail on relevant specialist units scroll down. Directed by Ian Darling, and solely compiled from archival material in a technique reminiscent of another great sports doco in recent years, Senna it's a powerful and impassioned chronicle of the treatment Goodes received from crowds and commentators alike. [6] Goodes was deeply affected by the incident, but said repeatedly that the girl should not be blamed; the environment that she grew up in had shaped her response. Specialist lessons will achieve the best results when THE FINAL QUARTER documentary is introduced as atopic across the curriculum. Adam Goodes during the 2015 semi-final between the Sydney Swans and the North Melbourne Kangaroos. Narragunnawalis online platform is free to access and provides practical ways to introduce meaningful reconciliation initiatives in the classroom, around the school and with the community. Adam Goodes was a champion AFL footballer and Indigenous leader. There were always people who argued that Goodes was not a victim of racism just a King Kong reference here and an ape joke there, set to the soundtrack of thousands of punters booing from the stands. offsider Kris Gale chat with Ian and Yvonne about the film which premiered at the Sydney Film Festival, and which uses . In this open discussion, Stephen and Fire Up! But this is not some dry academic exercise. The fallout inevitably led to a backlash against the fallout, in a manner familiar to anybody whos cast a cursory glance at online comments sections, in which over-sensitivity is positioned as an existential threat. With Adam Goodes. "The Final Quarter" is a 75 minute documentary of archival media footage related to Australian indigenous AFL (Australian Football League) player, Adam Goodes. It received extensive media coverage, with over 200 articles and 330 pages of media appearing in all media outlets including The Age, SMH, Herald Sun, The Australian, The Guardian, The Daily Telegraph, ABC Insiders, etc. 0000001984 00000 n Using only archival footage aired at the time, The Final Quarter holds a mirror to Australia and is an opportunity to reconsider what happened on and off the football field. 0000004654 00000 n Despite much of the material being confronting, The Final Quarter is also inspiring, with a message that each of us will be remembered ultimately for two things: what we say and what we do. Explores Australias sporting culture with a focus on race relations and cultural expression. 0000003092 00000 n 0000001256 00000 n As the name suggests, The Final Quarter focuses on the last stages of Goodes' time in the AFL when he was verbally attacked by spectators and high-profile media figures, relentlessly booed at games, put under immense scrutiny for celebrating his Indigenous heritage, accused of staging for free kicks and ultimately chose not to play for a period due to the toll he was under. Those unfamiliar with Australian football are unlikely to become adherents after watchingThe Final Quarter, a documentary that weaves together archival footage to tell the story of Indigenous player Adam Goodes, whose outspokenness about racism led to a cavalcade of jeers and finally to his exit from the game. Learn more about the film here. During the last three years of his career, Goodes was named Australian of the Year, accused of staging for free kicks, and performed an on-field war dance celebration. Explores what it means to be Australian, and how we express our individual and collective identities. 0000003860 00000 n Unsurprisingly, it's also both moving in displaying the AFL champ's dignified response to such horrors, and infuriating in its thorough examination of his ordeal. Sorry, we have distributed all our DVDs to schools andclubs! Explores how privilege operates in Australian society and encourages thinking about how to acknowledge and challenge white privilege to create a fairer society. In addition, 13,000 users accessed the educational resources on Cool Australia and 2,500 watched the film, and the AToM study guide was downloaded 3,507 times. 0000062288 00000 n Upon hearing the abuse, Goodes pointed the girl out to security, who ejected her from the stadium. Director: Ian Darling hb```f``a`c`gd@ A2 , ]p&V0]~l[8mNg[YUyg)&t28~rd]3fW'd:e 0000067425 00000 n trailer <<97663C5A09E14C69BCC8D3AEA1655A53>]/Prev 135910/XRefStm 1644>> startxref 0 %%EOF 346 0 obj <>stream Australian documentary filmmaker Ian Darling re-examines the incidents that marked the final 3 years of footballer Adam Goodes' playing career. They evaluate how social, institutional and ethical issues influence the making and use of media artworks. The Hollywood Reporter is a part of Penske Media Corporation. Unit: The Final Quarter - Watching The Film - Years 5-12 Activities for this Unit Tuning in About the Film Adam Goodes is a champion AFL footballer and Indigenous leader who became a lightning rod for an intense public debate and widespread media commentary that divided the nation. The Final Quarter Film Timings and Questions 01:00:00 - Warning and intro 01:01:14 - Sam Newman speaks to Adam via camera 01:01:57 - 'racist' definition 01:02:00 - Nathan Buckley and AFL 360 01:02:31 - Sam Newman on gay pride game Opportunity to pause and discuss important ideas and themes. 0000007162 00000 n Read for more details. This is the time period captured in director Ian Darlings exhilarating and confronting documentary, which premieres at the Sydney film festival on 7 June and is intended to spark a reassessment of the national conversation at the centre of which Goodes found himself. They said: Adam, who represents so much that is good and unique about our game, was subject to treatment that drove him from football. This lesson will be centred around the acclaimed 2019 documentary, The Final Quarter. Critic Reviews for The Final Quarter. Further, the film has already achieved positive educational outcomes. 0000091357 00000 n Won numerous awards, including the Film Critics Circle of Australia Best Feature Documentary 2019 Winner, AACTA Award for Best Editing in a Documentary 2019 Winner, Asian Academy Creative Awards Best Documentary 2019 Winner, Had a total of four screenings on Network Ten and WIN to over one million audiences across the broadcast and 10Play Catch Up. 0000103450 00000 n 0000005517 00000 n Narragunnawali (pronounced narra-gunna-wally) is a word from the language of the Ngunnawal people, Traditional Owners of the land on which Reconciliation Australias Canberra office is located, meaning alive, wellbeing, coming together and peace. His response strives to acknowledge the hurt inflicted on Aboriginal peoples without sounding ungrateful for the honor just bestowed upon him, and its the futility of his efforts to tread this line between calling a spade a spade and conciliation that gives his media encounters their sense of discomfort, and of poignancy. While we await new stock schools, please tap WATCHNOW, or others tap RENT/BUY for homeviewingoptions. [27] Luke Buckmaster, writing for The Guardian, called it "confronting" and "inspiring",[29] while Blake Howard, writing for Flicks, gave it five stars and called it exhilarating and powerful. 0000081321 00000 n The obvious inspirations for Darlings film which is more a work of assembly than construction are the documentaries of British film-maker Asif Kapadia, particularly his rousing 2010 sports film Senna. understand the definition of archival documentary and the process of selection and omission to construct meaning for the audience. Many Year 10-11 students openly admitted that it had changed their attitudes, and students have said the film empowered them to stand up to racism and helped them acknowledge it was damaging. The Final Quarter was made by Shark Island Productions, an independent film production company. The second Goodes-focused doco, The Australian Dream, will surface in August. Screenwriters: Mark Monroe, Ian Darling Fire Up! 0000010015 00000 n FBIRadio. 0000007932 00000 n Background [ edit] Darling also makes the point that we can always learn from history whether that history is found in an ancient scroll inside a museum, or via television footage from the old, dark, distant days of 2015. [7], Over the following years, and particularly in 2015, Goodes was repeatedly and loudly booed by opposition fans at most matches. 0000071725 00000 n He publicly called out racism, was named Australian of the Year, was accused of staging for free kicks, and performed an on-field war dance celebration. [17] He did not attend the Grand Final, where retiring players traditionally take part in a parade, one of only a handful of players to decline this invitation since the parade for retiring players was established. Director Ian Darling wanted to explore what happened and why, and start the conversation about racism in Australia that Adam Goodes asked us to have. Feedback to date also confirms the transformative nature of the film for students, as well as the powerful capability of the film as a tool for teachers to help their students understand racism and discrimination. Using only archival footage aired at the time, The Final Quarter holds a mirror to Australia and is an opportunity to reconsider what happened on and off the football field. When the football crowds turned on him, the Brownlow medallist left his beloved game. 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The spectator, who turned out to be a 13-year-old girl, was promptly escorted from the stands by security, but in the aftermath Goodes was accused of victimizing and publicly humiliating a teenager. As Darling astutely realised, the footage says it all. Producers: Mary Macrae, Ian Darling The Final Quarter takes a confronting look at the controversies that marred the Sydney star's exit from the game and is an opportunity to reconsider what happened on and off the football field. 299 0 obj <> endobj xref Cool celebrates the world's oldest living culture and acknowledges that sovereignty was never ceded. Tracy Bentin is a Child and Adolescent Psychologist who has worked in the education sector since 1997. Registration is fast and free. Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. 0000003225 00000 n Or, as right-wing columnist Miranda Devine has it, a pillock. While figures such as writer and broadcaster Waleed Aly are articulate in diagnosing whats really driving the catcalls: a discomfort with uppity minorities. Retired players such as Sam Newman, whose goblin-faced invective bookends the film, reassures Goodes hes being jeered not because hes black, but because hes a jerk. 33 Creative and the GO Foundation were invaluable in publicising the film and carrying out its impact campaign over social media. It includes footage of the incidents, as well as interviews and comments from media personalities, politicians, players, officials, and members of the public. 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